They pioneered the 1980s alternative rock subgenre of dream pop. The group earned critical praise for their ethereal, effects-laden sound and the soprano vocals of Fraser, whose lyrics often abandon recognisable language. They were formed in Grangemouth by Robin Guthrie (guitars, drum machine) and Will Heggie (bass), adding Elizabeth Fraser (vocals) in 1981 and replacing Heggie with multi-instrumentalist Simon Raymonde in 1983. Its the spangle Its the spangle maker And a rasp is just the droplet singing Broken-winded Broken-winded Whistling Singing, broken-winded Broken-winded Whistling Its the droplet Its the droplet on my tooth Its the spangle Its the spangle maker But a rasp is just the droplet singing Broken-winded Broken-winded Whistling Singing, broken-winded Broken-winded WhistlingCocteau Twins were a Scottish band active from 1979 to 1997.Also released with a flat sleeve. See pics.This version is the original release with Embossed sleeve, the centre picture is slightly raised. This lot is four 12 vinyl singles by the Cocteau Twins.
![]() Their debut LP Garlands (released by 4AD in September 1982) was an instant success, peaking at number 2 in the indie albums chart in the UK. Prior to releasing their debut album, the band recorded a four track session for John Peel in June 1982, including "Wax and Wane" and "Garlands". The band was named after the Johnny and the Self-Abusers' (who later renamed themselves Simple Minds) song "The Cocteau Twins" (later rewritten as " No Cure"). This led to the characteristic Cocteau Twins sound: Fraser's voice, by turns ethereal and operatic, combined with increasingly effects-heavy guitar playing by Guthrie (who has often said that he is far more interested in the way the guitar is recorded than in the actual notes being played, though he later admitted that his reliance on effects and layering was initially due to his own technical limitations). The band's next full-length LP record, Head over Heels, relied solely on the latter two, following Heggie's amicable departure after the tour that followed the release of Peppermint Pig (he would later join Lowlife). Cocteau Twins' sound on their first three recordings relied on the combination of Heggie's rhythmic basslines, Guthrie's minimalist guitar melodies, and Fraser's voice. In 1983, the band released a second EP, Peppermint Pig. Cocteau Twins The Spangle Maker Series Of CriticallyRaymonde returned to the group for The Moon and the Melodies (1986), a collaboration with ambient composer Harold Budd, which was not released under the Cocteau Twins name.In 1985 4AD signed an agreement with Relativity Records for distribution of Cocteau Twins releases in the US and other territories. Raymonde, who was called in to work on the second album by This Mortal Coil, did not participate in the recording of the fourth Cocteau Twins LP, Victorialand (1986), a predominantly acoustic record which featured only Guthrie and Fraser. These included The Spangle Maker (1984), Treasure (1984), Aikea-Guinea (1985), Tiny Dynamine (1985), Echoes in a Shallow Bay (1985), and Love's Easy Tears (1986). Rise to fame, 1984–1989 Problems playing this file? See media help.With Raymonde, the band released a series of critically acclaimed albums and EPs that explored their new style. During the TMC sessions, Guthrie and Fraser became acquainted with another project contributor, multi-instrumentalist Simon Raymonde (formerly a member of Drowning Craze), who joined Cocteau Twins later that year. Despite appearing under the This Mortal Coil name, the cover has subsequently become one of the best-known Cocteau Twins tracks. Macos iconThey parted ways with 4AD following Heaven or Las Vegas partly because of conflicts with the label's founder Ivo Watts-Russell, and were close to breaking up over internal problems due in large part to Guthrie's substance abuse. Despite the success of the record and the subsequent concert tours, not everything was well with the band. The most commercially successful of their many recordings, the album rose to the higher reaches of the UK Albums Chart immediately after its release. Mainstream success, 1990–1994 Fraser performing live with the band on Old Grey Whistle Test, February 1984The group released Heaven or Las Vegas in late 1990. 2 on Billboard's Alternative Songs chart. "Carolyn's Fingers" became the band's biggest hit in the U.S., peaking at No. Some of the tracks on Twinlights and Otherness were versions of songs from the band's eighth album, Milk & Kisses (1996). The band explained that Four-Calendar Café was a response to the turmoil that had engulfed them in the intervening years, with Guthrie entering rehab and quitting alcohol and drugs, and Fraser undergoing psychotherapy.Later releases and break-up, 1995–1997 1995 saw the release of two new EPs: Twinlights and Otherness. The band's seventh LP, Four-Calendar Café, their first since Fraser and Guthrie's separation, was released in late 1993. In 1991, 4AD and Capitol released a box set that compiled the band's EPs from 1982 to 1990, and also included a bonus disc of rare and previously unreleased material.Fraser and Guthrie ended their 13-year relationship in 1993, and by this time had a young daughter, Lucy-Belle, born in 1989. While a number of songs were partially recorded and possibly completed, the band has stated that they will likely never be finished or released in any form.In 1999 Bella Union, the record label founded by Guthrie and Raymonde, released a double-CD Cocteau Twins compilation entitled BBC Sessions. A new song, "Touch Upon Touch", which debuted during the live shows and was recorded later in 1996 was also one of the two songs written and arranged by Fraser, Guthrie and Raymonde for Chinese pop singer Faye Wong for her Mandarin album Fuzao released in June 1996, the other being "Tranquil Eye" from Violaine released in October 1996.In 1997, while recording what was to have been their ninth LP, the trio disbanded over irreconcilable differences in part related to the breakup of Guthrie and Fraser. The band, augmented by an extra guitarist and a drummer, toured extensively to support the album, their last for Mercury/Fontana. Two singles were taken from the album: " Tishbite" and " Violaine" both exist in two CD versions, with different B-sides included on each. ![]()
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